In the world of niche perfumery, few names can completely redefine the rules of the game. Alessandro Gualtieri, known as The Nose, is one of them.
Gualtieri built his career around a radical idea: perfume doesn't have to please everyone. It must evoke emotion, provoke, and leave a mark. With this philosophy, he brought to life two of the most original and discussed olfactory projects on the contemporary scene: Nasomatto and Orto Parisi.
Nasomatto: uncompromising perfumes
Founded in 2007, Nasomatto was born as a manifesto of creative freedom. The name itself — "mad nose" — says it all: a nose that thinks outside the box, that doesn't follow trends or bend to commercial logic.
Nasomatto fragrances are built around the highest quality raw materials, are often mysterious in their composition and olfactory pyramid, and are always recognizable for their strong and distinctive character.
Each bottle is a minimalist design object that conceals a complex olfactory universe.
Perfumes for those who already know who they are and need no explanations.
Orto Parisi: the body as a garden
With Orto Parisi, Gualtieri pushes even further. The project stems from a deep reflection on the human body and its natural odors — repressed, hidden, forgotten by modern society. Orto Parisi fragrances are intense, persistent, animalic. Megamare evokes the open sea and saltiness on the skin. Terroni recalls the earth, roots, the sweat of effort.
These are not perfumes for everyone. These are perfumes for those who are not afraid to feel themselves.
Why choose Gualtieri
Choosing an Alessandro Gualtieri perfume means choosing an authentic experience, far from mass perfumery. It means carrying something rare, thoughtful, and courageous.
Both lines are formulated as Extrait de Parfum, characterized by a very high concentration, for a powerful sillage and unparalleled persistence. Because a Gualtieri perfume never goes unnoticed — and always leaves an unforgettable memory.
Discover the complete collection of Nasomatto and Orto Parisi on Kiri Profumi.
